NFLPA
01
Director / DP.
Direct it. Shoot it. One creative voice.
I direct and run the camera as one creative role. Concept, shotlist, performance, frame. From a 30-second spot to feature length.
Brief me →Ten skills, one filmmaker. Director / DP, DP, brand activations, product launches, brand stories, B2B stories, interview / teleprompter, water cinematography, photo + video, end to end production. The size of the team and the deliverable change. The eye, the standard, and who's running the camera don't.
Direct it. Shoot it. One creative voice.
I direct and run the camera as one creative role. Concept, shotlist, performance, frame. From a 30-second spot to feature length.
Brief me →Plug me in. Bring the rig.
When you have a director and need a DP who arrives with the gear and the relationships. Specialty: action, athletes, brand interviews, water, drone.
Brief me →Launch the experience. Make the moment.
Hero film and social rollout for venue launches, brand activations, and experiential moments. The film and the social drumbeat working together.
Brief me →Build the launch around the moment.
Hero film, vertical social cuts, product stills. One shoot, every format your launch needs.
Brief me →Stories that earn the watch.
I bring documentary craft to brand work. Real characters, real stakes, the patience to find the moments that matter. Two minutes to feature length, depending on what the story actually wants to be.
Brief me →Cinema craft. Enterprise narrative.
Executive interviews, customer stories, brand pieces, and conference content for enterprise teams. Cinema lighting, audio that holds up on big screens, and edits that find the human inside the messaging.
Brief me →Hit the script. Hit the take. Move on.
Communicating specific messaging is easier with a script. I run a teleprompter rig that mounts directly to the camera using an iPhone or iPad, so talent can nail the lines in a few takes. I (or an assistant) control the text and make live edits from a separate device.
Brief me →Where most rigs can't go.
Custom water housing built for the RED V-Raptor. Runs cinema lenses, DSLR primes, and broadcasts wireless signal from the ocean to the beach. The director sees what the lens sees, live.
Explore →Stills and motion. Same shoot day.
I learned to roll camera between photo takes from Tim Tadder. Since then I've done it on shoots with Brett Nadal, Brent Bielman, and Jon Hamblin. Sometimes I run both myself. If a brief needs photos and video, I can make it happen on the same day.
Brief me →Concept to delivery, one vision, team effort.
I drive the concept, direct, run the camera, and edit. The team scales around the brief: producers, gaffers, sound, color, and post sized to the budget and ambition.
Brief me →Send me the project, the budget, and the timeline. I'll come back with a production plan that matches the scale of what you're trying to do.
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